Heavens to Betsy. My server alerted me that traffic was far exceeding a median Thursday. For the record, I am a fairly active user on HN, but I was not responsible for sharing this link here, directly or otherwise. I have little stomach for self-promotion (probably to my detriment).
I've come across your site before, but I didn't realize just how well researched your articles were until now. I thought you were recycling other folks / were blogspam. (oops)
I understand the aversion to self promotion, but it genuinely made it harder for me to hear about Damn Interesting. And I feel like my life has been poorer for it, because your site really is damn interesting.
Suggestion, I think you have at least 1k people who'd be willing to chip in to give you a "job."
FWIW, in this new age, patronage might be the only way. Allow people to pay on a sliding scale, with an uncapped upper end. And give them access to a tightly moderated, thoughtful community. Who knows, maybe there are Damn Interesting superfans out there who can chip in $1k/mo. You never know.
The modern economy of fan economics is strange. It's very much a whale phenomenon. People want community and belonging. And a community of people who like stuff that's damn interesting is pretty damn neat.
Also, you should consider turning some of these images into items people can buy. There's something funny, sweet and thoughtful about these, if you know the story,
Yea - I think moving to Substack (retain domain) would be a much stronger way to build in the long term as they make it super easy to pay $8-15/mo which the best readers won’t even miss!
> I think moving to Substack (retain domain) would be a much stronger way to build in the long term
Hmm, the danger there is that one is putting a lot of one's eggs into a fickle basket. In the early days of Facebook we had a page with 20k+ followers, and we got a lot of engagement there, people followed us to be informed of when we published anything new. Then one day Facebook introduced 'boosting,' and overnight our posts were hidden from all but a fraction of our audience. Paying to boost each post would convert them into ads, which is not how we wanted to reach our readers. Our site traffic plummeted. I would have happily just paid FB a flat rate to retain access to our audience, but that option was not on offer.
I was already a proponent of the "own your platform" philosophy[1] (aka "Don’t build your castle in other people’s kingdoms"[2]), but that misguided reliance on Facebook really cemented it. It's nigh impossible to own everything we rely on, but I'm reluctant to give any company that much power over my project again.
Was kinda inevitable though. Before that everybody was making huge amounts of money off Facebook... except Facebook. Really spammy "publishers" like Zynga were cleaning up.
Was the end of the "if you build it they will come" era. Around that time Google's enclosure of the web was well underway and the black hat SEO masterminds I knew were switching to AdWords.
It's true that some kind of monetization change was inevitable, but I wished at the time they had executed differently. I just wanted fans who wished to see our posts to see our posts, no more, no less. The only options FB gave were to reach far fewer people (do nothing), or to push ourselves on an unwilling audience (boost posts into ads). No option to just pay a monthly fee to have it like it was.
So, while inevitable, I think it's still a good example of why one mustn't trust big corporations with one's work.
From their viewpoint, Google and Facebook are not in the business of giving anybody traffic for free. Of course businesses divide into categories including ones that are trying to sell something directly who can pay more and those that are trying to get attention to place their own ads from the viewpoints of the platform that is an arbitrage play that they'd like to eliminate.
It's awful but true. I dropped out of large-scale web publishing around 2013 or so because I saw the writing on the wall.
> Hmm, the danger there is that one is putting a lot of one's eggs into a fickle basket.
The risk with Substack seems much lower though, since you get to keep their email addresses and could export to another system if you become unhappy with Substack's methods in the future.
With FB, you didn't have email addresses, or a way to export your follower list to another platform, so the consequence of the platform misbehaving was much worse (which perhaps made it more likely the platform would misbehave, knowing that there were no escape hatches).
Or, you could use Stripe and work with an agent to roll your own. It's overkill for this, but Claude Fable and Codex 5.6 Sol are surprisingly good at checking their work. So much so that they can be trusted with typesetting and image plating.
If anything, they could probably construct a static site that costs a fraction of the amount to run.
Weird, I never get spam from Substacks. I do get them from beehive or whatever it's called. Even asked to have my work email blocked, since if I ever signed up it would be from a personal address. They claimed to have done it, but I still get spammed.
> I thought you were recycling other folks / were blogspam.
It's understandable that you thought so, though the opposite is usually the case. There are a lot of creators who poach our catalog; if you compare publication dates you'll usually find that ours was published first. While I'm out there scanning the microfiche, reading the dusty old books, filing FOIA requests, and hiring researchers at the National Archive, these lazy creators just yoink the gist and earn 100x more than I do. It's a lot to grapple with sometimes. But I enjoy doing it, so I ignore the parasites most of the time.
> FWIW, in this new age, patronage might be the only way. Allow people to pay on a sliding scale, with an uncapped upper end.
That's not far from what I'm attempting with this fundraiser experiment. There is a modest goal for the year, but no cap on contribution, so if someone(s) with vast resources is inclined to make a generous contribution, they are able to do so.
One problem is that I don't know how to reach such people apart from this omnidirectional signal. Another is that I would not be amenable to string attachments. Maybe I'm broken, but I'd rather shut down the site than allow a wealthy benefactor to call any shots, and most wealthy entities won't like that (I expect).
> And give them access to a tightly moderated, thoughtful community.
We kind of have that in our comments sections, but a more unified place might be an interesting exploration. I'll ponder that, thank you for the suggestion.
Blog spam origins are murky at best, but I don't recall it being a prevalent thing until nearer to 2010. But of course recollection is an unreliable narrator. I'm also assuming you are using "predates" as in "preceding" rather than "preys upon", heh.
Heh. Yeah. My memory (also unreliable) is that people weren’t churning out blog spam articles for the Adsense when I found DI, or at least maybe only on obviously popular topics like cars or whatever.
I would support this Patreon. Particularly to the extent that something like that allows the funding vehicle to remain behind the scenes / separate from the main publication you’ve so lovingly polished and shared with the world over all these years.
Your podcast episode on the history of commodities trading[1] was awesome! I, sadly, don't visit your site as much as I used to, because, well, honestly I can't really keep track of the stuff I do visit regularly, but I'm glad you're still at it. I'll see if i can support your efforts in some way.
It’s an expression of surprise or disbelief, in the same vein as “oh my goodness.” It’s a bit old-fashioned; nowadays you’ll mostly hear it in cartoons and the like, uttered by little old ladies.
No shade to DamnInteresting; I find it quite endearing.
Admittedly, I haven't read DI in quite a while, but seeing this post brought back a flood of memories from my college days of waiting for the next article to drop. This blog was the precursor of an entire genre of "generally interesting shit" that has kind of underpinned most of the spirit of podcasting today. Shows like 99PI, Stuff You Should Know, RadioLab and so on owe I think a little something to this blog.
The amount asked for is meager, and I was more than happy to throw some bucks at it.
Just more focused places to find it, I think. I loved the historical seafaring stories that DI would post, but then I realized that there were subject matter podcasts that dug into these stories even more. So I think it was just specialization taking over.
Could be the rapidly deteriorating attention span of the typical person that now doesn't have to look too hard to find answers to things in the first place anymore. Previous to the internet (not that this is anything new to say), most people had to learn a little bit about most things to get answers about them, especially if it wasn't something they had much of a natural proclivity for. Information retention isn't great either now. So mostly the audience for generally interesting things now is more limited to people with a specific interest in whatever that thing is, and people who just seek out interesting things. Though, and no disrespect to DamnInteresting intended, it also makes the interesting things seem less arcane, which also could be affecting your hits. People can be that way.
It's funny you mention those three in particular. We've collaborated with Stuff You Should Know several times, and we almost worked with both 99PI and RadioLab on separate occasions (i.e., I pitched ideas that got some traction, though they didn't ultimately materialize). I still think my pitch for RadioLab is a good one, though it's a throwback to when they did episodes with three stories around a central theme (e.g., Blood).
> I was more than happy to throw some bucks at it.
Thanks! If this fundraiser works out, you're part of the reason we get to keep going.
I found Damn Interesting because of an orbital mechanics simulation the author coded in javascript as a one-off for an article about iirc cyclers. Crazy amount of effort for what's probably about 10 seconds of eye-candy for the average reader. I found it a really neat implementation and while the articles are a bit long for me, it got me hooked on their podcast. There seem to be few projects as thorough and long-lived as this one.
Originally, in 2008, it was 100% Javascript, but a few years later I updated it to use CSS transitions for a much smoother animation.
That cycler simulator actually led to a very cool life experience. An administrator at NASA contacted me wanting to use it for a presentation. Of course I said yes! Then he invited me to be his guest to watch an early test of the SLS rocket that was happening about 90 minutes from my home. Of course I said yes!
I got to meet a bunch of astronauts, see a big rocket engine fire horizontally in the desert, and got a NASA SLS pin. The fellow ended up not using the animation, as that part of his talk got edited out, but nevertheless niftiness.
This is a beautiful turn of phrase - the likes of which is unlikely to ever be generated correctly and in appropriate context by an LLM:
"An additional inconvenience is the flyby speed: as designed, the Cyclers would swing by Earth at approximately 15,000 miles per hour, and fly past Mars at 22,000 mph. In order to intercept such speedy Cyclers, the rocket-taxis would need to be capable of splitting a lot of lickety."
That explains why it’s so rare for a new episode to appear.
I’ve been reading (then listening) to DI forever. Not the full 20 years, because I remember reading through the entire back catalog when I first found it, but a very long time.
Can't remember the last time I read a DI article, but I've definitely read them before and value the non-AI content[^1]. Donated.
(Good golly, GoFundMe defaulted to a 17.5% tip. WTF?)
> This fundraiser is entirely separate from our Give a Damn donation system, which aims to cover Damn Interesting monthly expenses —web hosting, subscriptions, usage licenses, link curation, and that sort of thing. An amazing array of donors support us through that system, and those lovely people are the reason we survive to this day. This new experiment is specifically so I myself can afford to spend more time writing and running the site.
I'm left confused...
Why you don't run this experiment through that same system?
There are a few considerations. One is that the 'Give a Damn' system only aims to collect about $1,800/month, an approximation of our monthly expenses (not just hosting, but author payments, subscriptions to archives, research expenses, etc). And most months it barely collects the target amount. I've tried nudging the goal upward to see if I can slowly push it into actually-make-a-living territory, but it seems to have plateaued; increasing the goal there just means we usually miss our goal.
There's also the fact that the 'Give a Damn' system is supporting the site, to the benefit of all of its contributors, not just me. Changing that dynamic could be detrimental to morale.
There are lots of other small things making it very difficult to just update the existing system, not least of which being the same time shortage this fundraiser is trying to relieve. I'd need to make a bunch of changes to a very sensitive money-handling chunk of code, which requires careful coding and testing.
> What will happen if this experiment fails?
I have a series of decreasingly appealing follow-up plans if this one falls too short. But it's already earned enough to get me through at least a few months, so I'll have a chunk of time to take some positive action. Maybe that means I only get 6 months off before I'll have to resume full-time work, but I'll take what I can get.
I think remember you said in one episode you didn't want to run ads in the podcast so you could talk about anything you want, but most of the episodes are about one of historical events. Do you really think the sponsors would try to alter your content. Personally I wouldn't mind 1 or 2 ad spots in the episodes.
Well, our unwillingness to be beholden to sponsors is just part of the reason we avoid advertising, but it's not an empty concern. We've done stories that big brands wouldn't like (the true story of Colonel Sanders, the New Coke debacle, etc) and we frequently share some unflattering stories in our Curated Links section.
The larger reason is just that I personally despise ads. I take great measures to eliminate them from my life--paying for YouTube Premium, using the SponsorBlock plugin, running aggressive ad blockers on every device, piHole, etc. It would be quite hypocritical for me to add ads to my own content, I don't think I could live with myself.
I know that some podcast providers wrap ads around everything anyway, but that's between the listener and their provider, there are absolutely ad-free alternatives.
What I like about this is that it quietly exposes how broken the "creator economy" narrative has been for text on the web. For 20 years the model was: have a normal job, let the internet subsidize the rest with cheap distribution and a bit of ad/support money. That worked as long as (1) part-time/contract engineering was plentiful, (2) search sent humans to long-form, and (3) nobody was flooding the commons with infinite free derivative text.
All three legs are wobbling now. Hiring shifted to "full time or nothing", SEO is a mostly hostile environment, and AI has turned "writing" into something that looks abundant from 10,000 feet. The result is that the remaining high-effort indie sites end up in this weird funding gap: too small and stubborn to become a VC-scale "media brand", too big and polished to be a casual side blog.
So you get this old-school, almost embarrassingly direct solution: just ask readers to buy back the author's time. No growth story, no "community platform", just "I can make more of the thing you like if you cover what the labor market no longer will." In a way that's the most honest possible response to the AI slop wave: not "we'll use AI better", but "we'll opt out of that game entirely and see if real people care enough to pay for it."
Heavens to Betsy. My server alerted me that traffic was far exceeding a median Thursday. For the record, I am a fairly active user on HN, but I was not responsible for sharing this link here, directly or otherwise. I have little stomach for self-promotion (probably to my detriment).
Hear hear!
I've come across your site before, but I didn't realize just how well researched your articles were until now. I thought you were recycling other folks / were blogspam. (oops)
I understand the aversion to self promotion, but it genuinely made it harder for me to hear about Damn Interesting. And I feel like my life has been poorer for it, because your site really is damn interesting.
Suggestion, I think you have at least 1k people who'd be willing to chip in to give you a "job."
FWIW, in this new age, patronage might be the only way. Allow people to pay on a sliding scale, with an uncapped upper end. And give them access to a tightly moderated, thoughtful community. Who knows, maybe there are Damn Interesting superfans out there who can chip in $1k/mo. You never know.
The modern economy of fan economics is strange. It's very much a whale phenomenon. People want community and belonging. And a community of people who like stuff that's damn interesting is pretty damn neat.
Also, you should consider turning some of these images into items people can buy. There's something funny, sweet and thoughtful about these, if you know the story,
https://damn-8791.kxcdn.com/wp-content/uploads/2016/06/disne...
https://damn-8791.kxcdn.com/wp-content/uploads/2009/07/Bathy...
Yea - I think moving to Substack (retain domain) would be a much stronger way to build in the long term as they make it super easy to pay $8-15/mo which the best readers won’t even miss!
> I think moving to Substack (retain domain) would be a much stronger way to build in the long term
Hmm, the danger there is that one is putting a lot of one's eggs into a fickle basket. In the early days of Facebook we had a page with 20k+ followers, and we got a lot of engagement there, people followed us to be informed of when we published anything new. Then one day Facebook introduced 'boosting,' and overnight our posts were hidden from all but a fraction of our audience. Paying to boost each post would convert them into ads, which is not how we wanted to reach our readers. Our site traffic plummeted. I would have happily just paid FB a flat rate to retain access to our audience, but that option was not on offer.
I was already a proponent of the "own your platform" philosophy[1] (aka "Don’t build your castle in other people’s kingdoms"[2]), but that misguided reliance on Facebook really cemented it. It's nigh impossible to own everything we rely on, but I'm reluctant to give any company that much power over my project again.
[1] https://www.chuck.is/platform/
[2] https://howtomarketagame.com/2021/11/01/dont-build-your-cast...
Was kinda inevitable though. Before that everybody was making huge amounts of money off Facebook... except Facebook. Really spammy "publishers" like Zynga were cleaning up.
Was the end of the "if you build it they will come" era. Around that time Google's enclosure of the web was well underway and the black hat SEO masterminds I knew were switching to AdWords.
It's true that some kind of monetization change was inevitable, but I wished at the time they had executed differently. I just wanted fans who wished to see our posts to see our posts, no more, no less. The only options FB gave were to reach far fewer people (do nothing), or to push ourselves on an unwilling audience (boost posts into ads). No option to just pay a monthly fee to have it like it was.
So, while inevitable, I think it's still a good example of why one mustn't trust big corporations with one's work.
From their viewpoint, Google and Facebook are not in the business of giving anybody traffic for free. Of course businesses divide into categories including ones that are trying to sell something directly who can pay more and those that are trying to get attention to place their own ads from the viewpoints of the platform that is an arbitrage play that they'd like to eliminate.
It's awful but true. I dropped out of large-scale web publishing around 2013 or so because I saw the writing on the wall.
> Hmm, the danger there is that one is putting a lot of one's eggs into a fickle basket.
The risk with Substack seems much lower though, since you get to keep their email addresses and could export to another system if you become unhappy with Substack's methods in the future.
With FB, you didn't have email addresses, or a way to export your follower list to another platform, so the consequence of the platform misbehaving was much worse (which perhaps made it more likely the platform would misbehave, knowing that there were no escape hatches).
You can do the same thing without them, others have, though I can’t remember any off the top of my head.
I think the model is a good one but I’m fully on board without wanting to risk being beholden to them or maybe patreon or others.
Or, you could use Stripe and work with an agent to roll your own. It's overkill for this, but Claude Fable and Codex 5.6 Sol are surprisingly good at checking their work. So much so that they can be trusted with typesetting and image plating.
If anything, they could probably construct a static site that costs a fraction of the amount to run.
Spamstack? The site where people can just sign you up without you knowing until you get your inbox flooded with garbage?
Yea there's a reason I bin everything that comes from that site to my spam folder.
Weird, I never get spam from Substacks. I do get them from beehive or whatever it's called. Even asked to have my work email blocked, since if I ever signed up it would be from a personal address. They claimed to have done it, but I still get spammed.
https://www.anildash.com/2024/11/19/dont-call-it-a-substack/ is a persuasive argument for the opposite
> I thought you were recycling other folks / were blogspam.
It's understandable that you thought so, though the opposite is usually the case. There are a lot of creators who poach our catalog; if you compare publication dates you'll usually find that ours was published first. While I'm out there scanning the microfiche, reading the dusty old books, filing FOIA requests, and hiring researchers at the National Archive, these lazy creators just yoink the gist and earn 100x more than I do. It's a lot to grapple with sometimes. But I enjoy doing it, so I ignore the parasites most of the time.
> FWIW, in this new age, patronage might be the only way. Allow people to pay on a sliding scale, with an uncapped upper end.
That's not far from what I'm attempting with this fundraiser experiment. There is a modest goal for the year, but no cap on contribution, so if someone(s) with vast resources is inclined to make a generous contribution, they are able to do so.
One problem is that I don't know how to reach such people apart from this omnidirectional signal. Another is that I would not be amenable to string attachments. Maybe I'm broken, but I'd rather shut down the site than allow a wealthy benefactor to call any shots, and most wealthy entities won't like that (I expect).
> And give them access to a tightly moderated, thoughtful community.
We kind of have that in our comments sections, but a more unified place might be an interesting exploration. I'll ponder that, thank you for the suggestion.
DI basically predates blog spam doesn’t it?
I’m not surprised people steal your stuff.
> DI basically predates blog spam doesn’t it?
Blog spam origins are murky at best, but I don't recall it being a prevalent thing until nearer to 2010. But of course recollection is an unreliable narrator. I'm also assuming you are using "predates" as in "preceding" rather than "preys upon", heh.
Heh. Yeah. My memory (also unreliable) is that people weren’t churning out blog spam articles for the Adsense when I found DI, or at least maybe only on obviously popular topics like cars or whatever.
It hasn’t ruined the fun stuff yet.
I would support this Patreon. Particularly to the extent that something like that allows the funding vehicle to remain behind the scenes / separate from the main publication you’ve so lovingly polished and shared with the world over all these years.
I feel you, brother.
Good site, though.
Your podcast episode on the history of commodities trading[1] was awesome! I, sadly, don't visit your site as much as I used to, because, well, honestly I can't really keep track of the stuff I do visit regularly, but I'm glad you're still at it. I'll see if i can support your efforts in some way.
[1] https://www.damninteresting.com/death-by-derivatives/ (the audio is somewhere around there, i'm sure)
"Heavens to Betsy", what does it mean?
It’s an expression of surprise or disbelief, in the same vein as “oh my goodness.” It’s a bit old-fashioned; nowadays you’ll mostly hear it in cartoons and the like, uttered by little old ladies.
No shade to DamnInteresting; I find it quite endearing.
Admittedly, I haven't read DI in quite a while, but seeing this post brought back a flood of memories from my college days of waiting for the next article to drop. This blog was the precursor of an entire genre of "generally interesting shit" that has kind of underpinned most of the spirit of podcasting today. Shows like 99PI, Stuff You Should Know, RadioLab and so on owe I think a little something to this blog.
The amount asked for is meager, and I was more than happy to throw some bucks at it.
Generally interesting shit, as a category, has been shedding audience figures. It's unclear which of the explanations for this is correct.
Just more focused places to find it, I think. I loved the historical seafaring stories that DI would post, but then I realized that there were subject matter podcasts that dug into these stories even more. So I think it was just specialization taking over.
Could be the rapidly deteriorating attention span of the typical person that now doesn't have to look too hard to find answers to things in the first place anymore. Previous to the internet (not that this is anything new to say), most people had to learn a little bit about most things to get answers about them, especially if it wasn't something they had much of a natural proclivity for. Information retention isn't great either now. So mostly the audience for generally interesting things now is more limited to people with a specific interest in whatever that thing is, and people who just seek out interesting things. Though, and no disrespect to DamnInteresting intended, it also makes the interesting things seem less arcane, which also could be affecting your hits. People can be that way.
> 99PI, Stuff You Should Know, RadioLab
It's funny you mention those three in particular. We've collaborated with Stuff You Should Know several times, and we almost worked with both 99PI and RadioLab on separate occasions (i.e., I pitched ideas that got some traction, though they didn't ultimately materialize). I still think my pitch for RadioLab is a good one, though it's a throwback to when they did episodes with three stories around a central theme (e.g., Blood).
> I was more than happy to throw some bucks at it.
Thanks! If this fundraiser works out, you're part of the reason we get to keep going.
I found Damn Interesting because of an orbital mechanics simulation the author coded in javascript as a one-off for an article about iirc cyclers. Crazy amount of effort for what's probably about 10 seconds of eye-candy for the average reader. I found it a really neat implementation and while the articles are a bit long for me, it got me hooked on their podcast. There seem to be few projects as thorough and long-lived as this one.
Ah, you must mean the one embedded in this article:
https://www.damninteresting.com/the-martian-express/
Originally, in 2008, it was 100% Javascript, but a few years later I updated it to use CSS transitions for a much smoother animation.
That cycler simulator actually led to a very cool life experience. An administrator at NASA contacted me wanting to use it for a presentation. Of course I said yes! Then he invited me to be his guest to watch an early test of the SLS rocket that was happening about 90 minutes from my home. Of course I said yes!
I got to meet a bunch of astronauts, see a big rocket engine fire horizontally in the desert, and got a NASA SLS pin. The fellow ended up not using the animation, as that part of his talk got edited out, but nevertheless niftiness.
This is a beautiful turn of phrase - the likes of which is unlikely to ever be generated correctly and in appropriate context by an LLM:
"An additional inconvenience is the flyby speed: as designed, the Cyclers would swing by Earth at approximately 15,000 miles per hour, and fly past Mars at 22,000 mph. In order to intercept such speedy Cyclers, the rocket-taxis would need to be capable of splitting a lot of lickety."
https://www.damninteresting.com/this-place-is-not-a-place-of... - has long been one of my favorite articles on the internet. Happy to chip in to support the site.
Oh yeah, I think I alone have shared this article with a few dozen people.
I miss the old internet. I wish this fellow traveler well.
That explains why it’s so rare for a new episode to appear.
I’ve been reading (then listening) to DI forever. Not the full 20 years, because I remember reading through the entire back catalog when I first found it, but a very long time.
Happy to help. Donated.
"Signs point to yes" Good luck!
Can't remember the last time I read a DI article, but I've definitely read them before and value the non-AI content[^1]. Donated.
(Good golly, GoFundMe defaulted to a 17.5% tip. WTF?)
> This fundraiser is entirely separate from our Give a Damn donation system, which aims to cover Damn Interesting monthly expenses —web hosting, subscriptions, usage licenses, link curation, and that sort of thing. An amazing array of donors support us through that system, and those lovely people are the reason we survive to this day. This new experiment is specifically so I myself can afford to spend more time writing and running the site.
I'm left confused...
Why you don't run this experiment through that same system?
Why you don't pay yourself out of that system?
What will happen if this experiment fails?
[^1]: "Rider on the Storm" is very memorable - https://www.damninteresting.com/rider-on-the-storm/
There are a few considerations. One is that the 'Give a Damn' system only aims to collect about $1,800/month, an approximation of our monthly expenses (not just hosting, but author payments, subscriptions to archives, research expenses, etc). And most months it barely collects the target amount. I've tried nudging the goal upward to see if I can slowly push it into actually-make-a-living territory, but it seems to have plateaued; increasing the goal there just means we usually miss our goal.
There's also the fact that the 'Give a Damn' system is supporting the site, to the benefit of all of its contributors, not just me. Changing that dynamic could be detrimental to morale.
There are lots of other small things making it very difficult to just update the existing system, not least of which being the same time shortage this fundraiser is trying to relieve. I'd need to make a bunch of changes to a very sensitive money-handling chunk of code, which requires careful coding and testing.
> What will happen if this experiment fails?
I have a series of decreasingly appealing follow-up plans if this one falls too short. But it's already earned enough to get me through at least a few months, so I'll have a chunk of time to take some positive action. Maybe that means I only get 6 months off before I'll have to resume full-time work, but I'll take what I can get.
Open a Patreon page with different tiers and a private Discord server for your patreons.
From what I gather that's been a fairly successful standard model for independent content creators.
I think remember you said in one episode you didn't want to run ads in the podcast so you could talk about anything you want, but most of the episodes are about one of historical events. Do you really think the sponsors would try to alter your content. Personally I wouldn't mind 1 or 2 ad spots in the episodes.
Well, our unwillingness to be beholden to sponsors is just part of the reason we avoid advertising, but it's not an empty concern. We've done stories that big brands wouldn't like (the true story of Colonel Sanders, the New Coke debacle, etc) and we frequently share some unflattering stories in our Curated Links section.
The larger reason is just that I personally despise ads. I take great measures to eliminate them from my life--paying for YouTube Premium, using the SponsorBlock plugin, running aggressive ad blockers on every device, piHole, etc. It would be quite hypocritical for me to add ads to my own content, I don't think I could live with myself.
I know that some podcast providers wrap ads around everything anyway, but that's between the listener and their provider, there are absolutely ad-free alternatives.
Wife and I adore the podcast. Will be sending money. We love you guys.
What I like about this is that it quietly exposes how broken the "creator economy" narrative has been for text on the web. For 20 years the model was: have a normal job, let the internet subsidize the rest with cheap distribution and a bit of ad/support money. That worked as long as (1) part-time/contract engineering was plentiful, (2) search sent humans to long-form, and (3) nobody was flooding the commons with infinite free derivative text.
All three legs are wobbling now. Hiring shifted to "full time or nothing", SEO is a mostly hostile environment, and AI has turned "writing" into something that looks abundant from 10,000 feet. The result is that the remaining high-effort indie sites end up in this weird funding gap: too small and stubborn to become a VC-scale "media brand", too big and polished to be a casual side blog.
So you get this old-school, almost embarrassingly direct solution: just ask readers to buy back the author's time. No growth story, no "community platform", just "I can make more of the thing you like if you cover what the labor market no longer will." In a way that's the most honest possible response to the AI slop wave: not "we'll use AI better", but "we'll opt out of that game entirely and see if real people care enough to pay for it."